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معلم موثوق
يتميز هذا المعلم بمعدل استجابة سريع، مما يدل على خدمة عالية الجودة لطلابه.
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منذ أكتوبر 2023
أستاذ منذ أكتوبر 2023
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1 طالب منتظم
خيار موثوق لـ 1 طالب منتظم
Getting to Grips with Music Theory is simpler than you think!
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من 2445.62 EGP
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The theory of everything tends to be really scary and music theory can be too. I am very keen to make music theory easy for everyone. For some people there is only one way to tackle the unmentionable but I believe there are many different approaches and one of them will click with you. It is simply finding out what is best for each person. Once we find the key we can unlock the problems that have puzzled you for ages.

Music theory needs to be more than a requirement, it needs to be the way to really appreciate the music you are playing. Certain aspects can also lead to additional practical skills such as improvisation which can be very useful as well as very enjoyable.

Whether you want to understand a particular aspect of music theory or If you struggle with music theory in general, then this is the class for you - why not give it a try?
المكان
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عبر الانترنت من المملكة المتحدة
من أنا؟
Music has always been my passion. Ever since I was 13 I wanted to become a Music teacher to inspire others to enjoy creating Music. I qualified as a specialist Music teacher in 1984 and taught in a comprehensive school in England for over 34 years before taking early retirement. However, I still had a great desire to teach students from home which I continue to do via the internet.

I have played piano and violin to a high standard for many years. Whilst still a student myself I had plenty of opportunities to play in orchestras and chamber ensembles on a regular basis. Additionally I went on to conduct orchestras, bands and choirs. I have given many pupils the chance to be involved in making music in various different groups, thus enhancing their social experience of combining and co-operating with others.

My great interest in compositing music has been enhanced by having the opportunity to learn the basics of trumpet, guitar, drum kit and ukulele. I have composed in a variety of different genres including instrumental, choral/vocal, incidental music and avant garde. I have composed conventionally (using manuscript paper), using studio techniques and computers.

I have always enjoyed working with a wide range of different musical styles, catering for the interests of my students. This enables me to offer bespoke lessons to my students, demonstrating a great insight into the individuality of each person that I teach.
المستوى التعليمي
CNAA certificate for specialist Music Teachers
B Mus (2i) Birmingham University
S level Music - 2
A level Music - A
O level Music - A
Grade 8 violin
Grade 8 piano
الخبرة / المؤهلات
Software programs used :-
Logic Pro
Garageband
Sibelius
Personal Composer

Instruments played :-
Piano/keyboard/organ
Violin/viola
Drums
Bass guitar
السن
الأطفال (7-12 سنة)
شباب (13-17 سنة)
الكبار (18-64 سنة)
الكبار (65 سنة فأكثر)
مستوى الطالب
مبتدئ
متوسط
متقدم
المدة
30 دقيقة
الدرس يدور باللغة
الإنجليزية
المراجعات
الجاهزية في الأسبوع العادي
(GMT -04:00)
نيويورك
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على الانترنت عبر كاميرا ويب
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
Composing your own music has always been a very rewarding task. This has never been so true as the present day when you can hear what you compose instantly if you use computers to generate and play back your own music. However, to ensure that your music sounds really great (whether using computers, manuscript or actual instruments) there are many principles to be considered.

I have had a great interest in composing for over 45 years. I have composed for various combinations of instruments and voices in a wide variety of styles. Having been a music teacher in a comprehensive school for over 30 years, I have had a lot of very relevant experience in teaching composition to a wide range of different ages and abilities. These opportunities have enabled me to tutor students in a diverse variety of genres.

The class will be personalized to your particular standard and chosen style of composition. We would focus on generic building blocks such as structure and instrumentation as well as looking at how to develop ideas. Using a range of compositional devices will also be key to enhancing your compositions. I will tailor-make the class to suit you.
إقرأ المزيد
Would you classify improvisation as composition or performance? Well actually it is both! When you improvise you are composing music on the spot, performing what you have made up at the same time as you have composed it.

For many people improvisation is a scary word and having to improvise in a group or band is an alarming prospect. However, this really does not need to be the case. As long as you have a basic knowledge of how to play your instrument you will be able to improvise. Once you know the principle of how chords are formed you will soon be improvising with ease.

The key to success is understanding chords. Once you know how chords are formed and know what notes make up a few chords you will be well on your way towards being able to improvise. We will, therefore, start by ensuring a firm knowledge of certain chords. After this we will progress to improvising a simple melody over the top of these chords. The next stage is to start using notes that are not in the chord. The process is then open ended with emphasis on developing the melody.

If you play a keyboard instrument you will be able to improvise your own pieces and be able to entertain your friends at a moments notice. On the other hand if you play in a band or a group you will be well equipped to do a real 'jam' session.

Whether you play a single line instrument (flute, saxophone, trumpet, violin etc.) or keyboard instruments, this class is for you.
إقرأ المزيد
عرض المزيد
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Mayssa
I offer a comprehensive and progressive program in teaching Eastern singing, designed for beginners and intermediate learners. This program takes students step-by-step from the fundamentals to an advanced level of vocal awareness and artistic performance. It is based on a well-structured academic curriculum that focuses on building a healthy and correct voice, addressing common mistakes, and developing auditory and musical abilities in a profound and lasting way.

What makes this program special?

This training is not just about memorizing songs, but a comprehensive work on the voice, ear, breath, and musical sense, with careful personal follow-up that ensures real and tangible development, no matter what your level is at the beginning.


---

Key training topics:

🎶 Singing Eastern Maqams

Getting acquainted with the basic and secondary Eastern maqams

Understanding the structure, feeling, and character of each maqam

Correct maqam transitions

Singing maqam phrases in an academic and auditory style

Applying musical scales within songs


🎼 Solfège singing and auditory awareness

Solfège singing from scratch

Exercises for pitch adjustment and melodic stability

Strengthening musical ear and auditory memory

Distinguishing between correct and incorrect classes

Building auditory awareness that radically prevents dissonance


🎤 Vocal Training

Exercises to strengthen the voice and improve resonance

Expanding the sound space safely

Improved flexibility and control over sound

Working on transitions between layers

Protecting the voice and avoiding strain


🌬️ Breathing exercises and voice support

Learn the correct breathing technique for singing

Breath control during long sentences

Diaphragmatic voice support

Improved stability and sound power


🎵 Singing Arabic songs (old and modern)

Choose songs that suit your voice type and space.

Sing songs by your favorite artist and in the style you love.

Analysis of the song in terms of melody and performance

Working on expression, feeling, and oriental motifs

Build your own unique singing persona


---

Methodology used:

A comprehensive initial assessment of your vocal and auditory level

Develop a personalized training plan for each student.

Addressing dissonance problems in a practical and effective way

Correcting the vocal tone step by step

Ongoing monitoring and periodic evaluation of progress

Integrating the academic aspect with practical application


---

Who is this program for?

For complete beginners, even without any prior experience

For average speakers who suffer from dissonance or poor vocal control

For amateurs who want to consciously develop their voice

For anyone who dreams of singing with confidence and genuine feeling


---

🎧 Extra and premium support

Assistance with audio recording of songs

Technical and artistic guidance to improve recording quality

Helping to publish works on YouTube

Guidelines for building a digital musical presence
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Mohamed
* Introduction to the Oud Instrument:
* History of the Oud and its significance in Arabic music.
* Different parts of the Oud (soundbox, face, neck, pegs, strings).
* Different types of Oud (Arabic, Turkish, Persian).
* How to hold the Oud and sit correctly.
* How to use the plectrum (risha/zend).
* Basics of Playing:
* Learning how to produce clear sounds from the strings.
* Exercises to strengthen fingers and improve hand coordination.
* Learning the names of the strings and how to tune them (Dozan).
* Introduction to basic musical modes (maqamat) in Arabic music (such as Maqam Rast, Nahawand, Hijaz).
* Learning basic musical notation and how to read it (if necessary).
* Simple Melodies and Exercises:
* Learning to play simple and well-known melodies.
* Exercises to develop a sense of rhythm.
For Advanced Levels:
* Deepening Knowledge of Maqamat:
* In-depth study of various Arabic maqamat and their branches.
* Learning how to modulate between maqamat.
* Analyzing melodies and musical pieces from the perspective of maqamat.
* Developing Playing Techniques:
* Learning advanced playing techniques such as trills, tremolos, and slides.
* Improving playing speed and accuracy.
* Developing the ability for musical expression.
* Improvisation and Taqasim:
* Introduction to the art of improvisation (taqasim) in Arabic music.
* Learning how to build improvisational taqasim based on maqamat.
* Developing the ability to listen and interact musically.
* Arabic Music Theory:
* In-depth study of Arabic music theory, including intervals, rhythms, and musical forms.
* Playing Advanced Musical Pieces:
* Learning to play classical and contemporary Arabic musical pieces.
* Analyzing and interpreting musical works.
Lessons may also include:
* Listening and Analysis: Listening to Oud music recordings and analyzing them.
* History and Culture: Exploring the history and culture of the Oud instrument in the Arab world.
* Basic Oud Maintenance: Learning how to care for and maintain the Oud.

Overall, the Oud lessons aim to provide students with the necessary skills and knowledge to understand and play Arabic music on this beautiful instrument.

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الدرس الأول مضمون
بواسطة
ضمان المدرس المناسب
فصول مماثلة
arrow icon previousarrow icon next
verified badge
Mayssa
I offer a comprehensive and progressive program in teaching Eastern singing, designed for beginners and intermediate learners. This program takes students step-by-step from the fundamentals to an advanced level of vocal awareness and artistic performance. It is based on a well-structured academic curriculum that focuses on building a healthy and correct voice, addressing common mistakes, and developing auditory and musical abilities in a profound and lasting way.

What makes this program special?

This training is not just about memorizing songs, but a comprehensive work on the voice, ear, breath, and musical sense, with careful personal follow-up that ensures real and tangible development, no matter what your level is at the beginning.


---

Key training topics:

🎶 Singing Eastern Maqams

Getting acquainted with the basic and secondary Eastern maqams

Understanding the structure, feeling, and character of each maqam

Correct maqam transitions

Singing maqam phrases in an academic and auditory style

Applying musical scales within songs


🎼 Solfège singing and auditory awareness

Solfège singing from scratch

Exercises for pitch adjustment and melodic stability

Strengthening musical ear and auditory memory

Distinguishing between correct and incorrect classes

Building auditory awareness that radically prevents dissonance


🎤 Vocal Training

Exercises to strengthen the voice and improve resonance

Expanding the sound space safely

Improved flexibility and control over sound

Working on transitions between layers

Protecting the voice and avoiding strain


🌬️ Breathing exercises and voice support

Learn the correct breathing technique for singing

Breath control during long sentences

Diaphragmatic voice support

Improved stability and sound power


🎵 Singing Arabic songs (old and modern)

Choose songs that suit your voice type and space.

Sing songs by your favorite artist and in the style you love.

Analysis of the song in terms of melody and performance

Working on expression, feeling, and oriental motifs

Build your own unique singing persona


---

Methodology used:

A comprehensive initial assessment of your vocal and auditory level

Develop a personalized training plan for each student.

Addressing dissonance problems in a practical and effective way

Correcting the vocal tone step by step

Ongoing monitoring and periodic evaluation of progress

Integrating the academic aspect with practical application


---

Who is this program for?

For complete beginners, even without any prior experience

For average speakers who suffer from dissonance or poor vocal control

For amateurs who want to consciously develop their voice

For anyone who dreams of singing with confidence and genuine feeling


---

🎧 Extra and premium support

Assistance with audio recording of songs

Technical and artistic guidance to improve recording quality

Helping to publish works on YouTube

Guidelines for building a digital musical presence
verified badge
Mohamed
* Introduction to the Oud Instrument:
* History of the Oud and its significance in Arabic music.
* Different parts of the Oud (soundbox, face, neck, pegs, strings).
* Different types of Oud (Arabic, Turkish, Persian).
* How to hold the Oud and sit correctly.
* How to use the plectrum (risha/zend).
* Basics of Playing:
* Learning how to produce clear sounds from the strings.
* Exercises to strengthen fingers and improve hand coordination.
* Learning the names of the strings and how to tune them (Dozan).
* Introduction to basic musical modes (maqamat) in Arabic music (such as Maqam Rast, Nahawand, Hijaz).
* Learning basic musical notation and how to read it (if necessary).
* Simple Melodies and Exercises:
* Learning to play simple and well-known melodies.
* Exercises to develop a sense of rhythm.
For Advanced Levels:
* Deepening Knowledge of Maqamat:
* In-depth study of various Arabic maqamat and their branches.
* Learning how to modulate between maqamat.
* Analyzing melodies and musical pieces from the perspective of maqamat.
* Developing Playing Techniques:
* Learning advanced playing techniques such as trills, tremolos, and slides.
* Improving playing speed and accuracy.
* Developing the ability for musical expression.
* Improvisation and Taqasim:
* Introduction to the art of improvisation (taqasim) in Arabic music.
* Learning how to build improvisational taqasim based on maqamat.
* Developing the ability to listen and interact musically.
* Arabic Music Theory:
* In-depth study of Arabic music theory, including intervals, rhythms, and musical forms.
* Playing Advanced Musical Pieces:
* Learning to play classical and contemporary Arabic musical pieces.
* Analyzing and interpreting musical works.
Lessons may also include:
* Listening and Analysis: Listening to Oud music recordings and analyzing them.
* History and Culture: Exploring the history and culture of the Oud instrument in the Arab world.
* Basic Oud Maintenance: Learning how to care for and maintain the Oud.

Overall, the Oud lessons aim to provide students with the necessary skills and knowledge to understand and play Arabic music on this beautiful instrument.

ضمان المدرس المناسب
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