MAO on Ableton Live, Production, Mix, Mastering, Tips

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From 46 € /h

Having been producing music for over 10 years and being extremely passionate about it, it seems natural to me to want to share this knowledge with others.
Getting started with software isn't always easy, and understanding how it works can take quite a while when you're learning on your own. That's why I want to share my knowledge, whether it's in mastering the software or in mixing and mastering your own productions.

Location

Online from France

About Me

Having always been passionate about music, I want to be able to share my knowledge with students who themselves want to produce, learn and understand.

Mainly focused on electronic music, I nevertheless produce in many other styles and continue to learn new techniques regularly.

Trained mainly on the piano, I also learned to play other instruments such as drums and bass.

Education

Trained primarily on the piano, I also learned to play other instruments such as drums and bass. Learning these instruments allowed me to acquire the basics of music theory, allowing me to compose my own songs.

Experience / Qualifications

Composing singles for over 10 years, mixing and mastering my own productions, daily learning and above all, passion.

Age

Children (7-12 years old)

Teenagers (13-17 years old)

Adults (18-64 years old)

Seniors (65+ years old)

Student level

Beginner

Intermediate

Advanced

Duration

60 minutes

The class is taught in

French

English

Skills

Audio production

Computer generated music

Availability of a typical week

(GMT -05:00)

New York

Online via webcam

Mon

Tue

Wed

Thu

Fri

Sat

Sun

00-04

04-08

08-12

12-16

16-20

20-24

João

4.9

(31)

I have a master degree in music composition at the Royal Conservatoire Den Haag. I have been working in music composition for 10 year. This is a class where you are going to learn how to work with your own composition ideas as well get acquaintance to new composition tools and approach.
This is open for different types of music approach:
- contemporary classical music
- electronic music production/Ableton (any style you want)
- Music for Cinema (theory and how to do mockups with samples)
-Generative Music (Using max/msp and reaktor)

App

4.9

(31)

< Learning Piano is not merely about playing the piano >

Before starting to learn the piano, it’s essential to recognize that :

'' What we are actually learning is "Music", but not only "Piano". ''

The goal of learning any instrument is to acquire the language of music, enabling us to express ourselves and enjoy music with others. Playing the piano is for creating beautiful sounds, not really for developing finger speed or strength. That’s the function of gym.

< Music is like cooking >

When we cook, to make roast beef tender, of course, it’s nice to have a tender heart, but without knowing how to control the temperature, the roast beef won’t become tender merely by our tender heart.

By only adding salt, the dish won’t be sweet. Similarly, simply playing or writing a C major triad chord won’t convey a sorrowful feeling.

To create the feeling we want, no matter how much sentiment we have in our hearts, to convey it via music, it needs to be translated into the language which the piano can understand, which means, how we press and lift the keys and pedals. Similarly, when we compose, it needs to be transferred into chords, and notes we write.

< Difference between an audience and a musician >

There is a common belief that a musician can make music with sentiment or feeling. While it’s partially true, the most essential thing is knowing ‘’How’’ to create the sound that conveys the feeling we want, rather than merely knowing ‘’What’' feeling we want to convey.

The understanding of the mechanism behind music is essential, as cooking, and that is the difference between an audience and a musician. As an audience, one can simply feel the music. Like a chief who knows how to create a specific flavor to convey, a musician knows how to create the sound which can convey the feeling we want. While knowing which feeling we want is great, it’s merely the first step. Your emotions are not too different from Chopin, Beethoven, Adele or Taylor Swift, otherwise, they can’t resonate with you. But they know how to create the sound that conveys the feeling they want to their audience.

< Course Content >

I consider my course to be a form of "Music Consultation" because it contains a wide range of subjects that are essential to a professional musician. While we focus on piano playing, there are also music theory, music history, instrument construction, ergonomics for performers, analysis of composer styles, composition, arrangement, recording, MIDI, computer music, the physics of sound, and more.
In avoid of confusion, let’s still call my course as "Piano Course”.

< Duration >

For each course, I will reserve at least 70 minutes in my schedule for you, including 60 minutes of class time and an additional 10 minutes for discussion and any questions you may have. This will ensure that your courses are not rushed by the next student. This ensures that there is enough time for you to solve your piano and music problems.

< Recording >

I highly encourage my students to record their progress. This can provide an objective standard for comparison and help you analyze your playing precisely. In my nine years of experience teaching music, I've found many students, including those advanced, already play certain sections very well, while other sections may not be not well enough. But they still try to improving those fine sections, while not aware of those weak sections.
Without an objective reference, it’s hard to distribute our effort precisely. This can lead to not only unstable performance, but also practicing without a precise goal can easily reduce enthusiasm. Recording your results and comparing them with those recordings you like on YouTube or Spotify can be an effective way to analyze your playing and set precise goals.

If you have a digital piano, I can help you produce a video of your performance for each session. This can be a tangible record of your efforts and you can share it with your friends and family via YouTube or other platforms.

Alfred

4.9

(31)

Do you want to start playing bass, or are you already an experienced musician looking to deepen your connection with the instrument?

It doesn't matter if your goal is to develop new skills or enhance the ones you already have. These lessons will be tailored to both your level and personal musical taste.

My goal is to make you a better bass player, and to achieve that, we can cover a variety of topics depending on your needs, such as:

Stylistic variety: Jazz, Funk, Soul, Hip-Hop, Pop, Rock, Latin...
Technical skills
Audio production
Rhythm perception, polyrhythms, odd meters...
Music theory: Jazz harmony, sight-reading...
Ear training

Jasper

4.9

(31)

Do you want to learn to write, record or produce your own music? Or are you interested in sound design? Then I can help you further!
Music production and recording technology may seem complicated at first glance, but in our 1-on-1 private lessons we can discuss the creative and technical tools you need to unleash your own creativity.

Whether it's songwriting, recording techniques or beat making, we can do it all together. All genres are welcome.
During the lessons we can learn to work with different programs, such as Logic, Pro Tools or Ableton.
The lessons are for students of all ages and levels. Knowledge of solfège is not required.

I studied guitar and music production at the Conservatory in Ghent and have been active as a professional musician for several years. I have 12 years of experience as a private teacher.

Lessons take place in Gentbrugge near the Keizerpark.
We can determine the exact time of the lesson together. All very flexible.

Does this seem like something for you?
Don't hesitate to send me a message.

Hope to see you soon!
Jasper

Piano

4.9

(31)

Have you always wanted to write music for movies, ads or videogames, but didn’t know where or how to start? This is your place.

We are Alonso and Vincent, two composers with different formation but that are actively working in the field of Film Scoring.
Our classes are developed for students of different ages.

Let us explain! If you are 15 years old or just 40 but want to immerse into the music world, we can help, whether you have previous experience or not in the field.

What will you learn with our lessons:
- Beginner: we’ll guide you through your first steps in your digital audio workstation. With pre-existing sample packs, you’ll discover how to build music with sound blocks, and become your very own producer/beatmaker!

-Intermediate: we’ll show you how to deal with MIDI programming. You will write the notes, yourself, of your own digital symphony, with free virtual instruments from state-of-the-art production facilities, always following the style you want to follow. The music is yours!

-Advanced: we’ll bring you to Hollywood’s antechamber: our most advanced tips about writing music, mixing, mastering, how to write your own readable sheet music... You’ll be the next Hans Zimmer in no time.

Jaimy

4.9

(31)

Have you always wanted to compose your own music, but don't know where to start? In my music composition lessons you will learn step by step how to turn your ideas into music. Whether you are just starting out or already have some experience, I will give you practical tools and techniques to develop your skills.

We focus on music theory, creative methods and concrete composition tips, so you can get started right away. No fuss, just hands-on guidance to make your musical ideas a reality.

Lucy

4.9

(31)

🎛️ Music Production Lessons & Creative Coaching 🎶

Want to learn how to create, record, and refine your own music in Logic Pro X? Whether you’re a complete beginner or already producing your own tracks, I offer online lessons and personalized production coaching to help you grow and elevate your sound.

If you’re just starting out, we’ll build a solid foundation:

- MIDI & audio basics
- Arrangement & structure
- Sound design & effects
- Vocal editing
- Mixing fundamentals
- Workflow tips & creative approaches

Already producing? Great — then I offer tailored production advice and feedback. You can bring in your tracks, questions, or challenges, and I’ll help you with:

- Song structure & dynamics
- Sound choices & layers
- Mix clarity & depth
- Artistic direction
- Developing your unique sonic identity

The sessions can be fully online or live, flexible, and built around your needs.

I combine my experience as a pop producer and artist with my background in classical music theory and a degree from the Conservatorium van Amsterdam (Pop).

Whether you're starting from scratch or fine-tuning a nearly finished track — I’m here to help you move forward with clarity, confidence, and creativity.

Matias

4.9

(31)

This class introduces the core concepts of film scoring and how music shapes story, emotion, and narrative in film and television. Students will learn how to support and move images through music, exploring timing, mood, theme, and structure. Lessons are tailored to each student’s interests and level, from complete beginners to advanced composers, and can focus on electronic, orchestral, or hybrid approaches.

The course also includes analysis and deconstruction of existing film scores to understand compositional techniques and storytelling strategies. Students will learn how to set up and optimize their digital audio workstation for film scoring, define personal creative goals, and work with industry-standard orchestral sample libraries and synthesizers such as Spitfire Audio, Orchestral Tools, and Cinematic Studio Series. Films with sound design and no music can be provided for hands-on scoring exercises, enabling practical experience working directly to picture.

Do you want to produce your tracks without getting lost in the technical details? I'll teach you Cubase and DAW software the way I learned it myself: without music theory, but with method and creativity.

The goal is not to apply formulas, but to develop a working method adapted to each project. This may involve analyzing a piece in progress, resolving technical or creative blocks, optimizing sound, or even organizing a Cubase session.

I offer concrete tools, attentive listening, and precise support to move your musical project forward in the right direction.

About the course:

Composition & Arrangement
Musical structure & storytelling: learning to build solid and coherent pieces (intro, bridges, choruses, etc.).

Creating guitar riffs and harmonies: rhythmic, melodic and stylistic work according to your level.

Text writing & vocal placement: rhythm, phrasing, accuracy of intentions.

Organization in the DAW (Cubase): clear structure, tempo, grids, dynamics.

Art direction & atmospheres: defining a unique and coherent sound universe, from the riff to the background texture.

Pre-production & Sound Design
Effective session preparation: choice of tools, sounds, project organization.

Custom guitar/bass sound creation: virtual amps, IRs, custom effects chains.

Modern recording techniques: layering, harmonies, double-tracking, multiple takes.

Sound sculpture & textures: asserting the personality of each instrument.

Integration of atmospheres and textures: cinematic, orchestral or electronic textures.

Advanced sound design: modulations, automation, unconventional effects.

Recording & Editing
Effective voice recording: artistic direction, placement, interpretation.

Fast & clean editing: assembly, alignment, natural corrections.

Collaboration & Communication
Knowing how to work with other musicians: conveying ideas, communicating with a mixer or sound engineer, maintaining an overall vision.

Mixing & Finalization
Clear and productive session organization: routing, buses, colors, naming.

Using the main mixing tools:

Compression: dynamic management

EQ: Frequency balance

Delay & Reverb: space and depth

Limiting: level control

Special FX (ring mods, filters, etc.): to go further with the texture

Export preparation: stereo, stems, separate tracks, formats suitable for mixing or mastering.

In summary
The goal is not to follow a fixed method, but to make concrete progress on a real musical project, regardless of the starting level.
The idea is to start with a desire, a sound, a riff, a feeling... and turn it into a solid, inspired, controlled piece.

This is what I have been doing for twenty years, and what I pass on here with rigor.

Online lessons are available. Cubase is recommended but not required. You can work with other DAWs or directly with stems/audio files as needed.

OswalVrez

4.9

(31)

Digital Music and Music Creation with MIDI Technology.
Audio Editing, Mixing and Mastering.

Learn to produce from scratch using creative programs, MASTERING each stage of the sound process and let's achieve PROFESSIONALLY professional creations to release on platforms or, if you're more discerning, to perform in public.

Michiel

4.9

(31)

🎶I'll teach you all the basics of music production, songwriting, and mixing, and if you're already a bit more advanced, I'll help you grow and develop your sound. These lessons are for all levels!

📚With a bachelor's degree in music production from the Conservatory of Ghent and years of experience in the music industry, I am now ready to further spread my knowledge.

🎧We will work on your productions at your level, with the aim of bringing you closer to a professional sound and enabling you to express yourself through your productions.

I hope to find your own sound and develop it into a finished product!
I hope to see you in my studio soon! (see profile photo)

See you in class :))

Matt

4.9

(31)

Online sessions are held using Muse Sessions, which allows us to listen, view, and interact with your music software in real time.

My approach is fully tailored to your goals. Sessions typically focus on finishing tracks, developing ideas, improving arrangement and mixdowns, sound design, and building a more confident and efficient creative workflow.

We’ll work directly with your own music wherever possible, using it as the basis for focused, practical progress. We can also analyse and deconstruct released tracks that inspire you, breaking down structure, sound choices, and production techniques so you can apply them to your own work.

Alongside this, I’m happy to share insight from my own projects and releases, offering perspective on creative decision-making, workflow, and long-term development as an artist. For those interested in sound design, sessions can cover synthesis, samplers, effects, routing, modular and practical ways to get the most out of the tools you already use, whether software or hardware.

I also offer guidance on the wider industry side of music, including preparing music for release, getting signed, developing an artistic identity, self-releasing, content creation, and composing for film and TV.

These sessions are best suited to committed beginners through to intermediate producers who want clear feedback, direction, and momentum in their work.

Sebast

4.9

(31)

Bring me your material, songs/beats! My focus is to support you as best as I can in what you're doing. Would you like to learn more about mixing, sound design, sound synthesis, and composition? Would you like to learn more about the songwriting process? How do I start a song? What are some common pitfalls? I'm your guy! :) As a producer, I've worked with quite a few genres, so I'm very flexible in that respect.

📚training courses:
- secondary ASO Sint-Gummarus College Lier
- 7th year MUDA KSO Evergem
- university conservatory at KASK in Ghent (2022-2027)

Pietro

4.9

(31)

Do you have a song that you've written that you believe could be amazing? Do you already have some skills using a DAW like Logic, Ableton, Pro Tools or Garage band? Would you like a new set of 'arrangers/producers ears' to redefine your song, reimagine it or simply improve what you have to bring it up to the best possible level?

I have worked in these areas where the boundary between composition, production and arrangement becomes blurred. The truth is they are inseparable to the end result and imagination is everything. So is an extra set of ears! Thats were I can help.

Which instrument to use ? (bass guitar or bass synth), which keys sound and where to place it in the mix. Where to set that high pass filter on the vocal? How much saturation does the snare need?

Musical arrangement and instrumentation
Production techniques, in the context of mixing
How best to use harmony in string quartets, or choirs or horn sections
How to place the guitar? Does it even need one?

I can give creative input and advise having written and composed more than 150 songs and recorded approximately 100+. Having run a UK based record label for almost 20 years.

If using a studio DAW, my experience is mainly with LogicPro although most creative 'arrangement' decisions do not need to be technical knob twiddling.

My background as a musician is vocals and guitars but as an arranger I've worked with everything.