Romain
    Trusted teacher
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    Trusted teacher
    from50.70USD/ h

    Complete piano, solfeggio and harmony lessons for all levels

    Translated by Google. Click to view original.
    Concerted concert pianist and laureate of international competitions, leader of singing (this is the name given to the repeters of opera singers), also a graduate of philosophy and musicology: I try to propose a global method, which does not not content with a pure keyboard technique, but opens up the student's competence and sensitivity to musical analysis, harmony, repertoire, and all the musical culture that surrounds the piano! Possibility of 1h30 lessons including work on the instrument and theoretical work!

    Musical biography:

    Pianist born in 1989, he dedicates himself today to the work with the singers and the repertoire of chamber music. Former pupil of Hervé Billaut in advanced training at the CRR Lyon, he participated, at the National Conservatory of Music and Dance of Paris, the class of Lied and Mélodie Jeff Cohen. He has performed at the Théâtre du Châtelet, at the Grand Salon des Invalides, at the Louvre Museum, at the Lille Opera, has been a guest at the Larzac Chamber Music Festivals (alongside pianist Jean-Sébastien Dureau , cellists Valérie Aimard and Marie Bitloch, violinist Sarah Kapustin), concerts "Young Talents" Festivals Romantic Nights, Rendez-vous de Rochebonne ... In duet with violinist Fiona Monbet, they won the Prix de chamber music with piano at the ISA (International Summer Academy) competition of the Vienna Conservatory (Universität für Musik und Dartellende Kunst), where they followed the masterclasses of Miguel Da Silva (quartet Ysaÿe), Jan Talich, Josef Kluson and Hatto Bayerle (Berg Quartet). They were also invited to the Villecroze Academy of Music to follow the masterclasses of pianist and conductor Ralf Gothoni.

    He is the Music Director of the Festival La Brèche, alongside pianist Susan Manoff, godmother of the festival, where we heard her with her privileged partners, the singers Elsa Dreisig and Eva Zaïcik - whose first CD produced by the Meyer Foundation, the CNSMDP, and dedicated to Mahler's Kindertotenlieder and Mussorgsky's Songs and Dances of Death, will be released this fall - or Marie Soubestre, with whom they have been engaged for two years on the recording of the Complete Hanns Eisler song on Bertolt Brecht's poems.

    A graduate in philosophy at Paris VIII University and in musicology at the CNSMDP, his interest in theater and the crossover with musical forms led him to work since 2011 with the theater ensemble Eventuel Hérisson Bleu, on their last two creations. He is also invited as a choirmaster for Emmanuelle Cordoliani's theater class at the CNSMDP, on their research residencies at the Royaumont Abbey, in recitals of melodies or opera productions, and since 2016 has been in charge of musical direction, with Fiona Monbet, from the company dedicated to the lyrical creation Mirrors Etendus. Their last production, an adaptation of Berlioz's The Damnation of Faust, will be premiered in December 2017 at the Enghien Arts Center, and presented at the Opéra de Rouen, at the National Scene of Valenciennes "Le Phénix", at the Théâtre de Atheneum ...

    Extra information

    Translated by Google. Click to view original.
    I can teach at the student's home or at home.

    Location

    At student's location: Around Paris, France
    At teacher's location: Rue du Ruisseau, 75018 Paris, France

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    General info

    Age:
    Preschool children (4-6 years old)
    Children (7-12 years old)
    Teenagers (13-17 years old)
    Adults (18-64 years old)
    Seniors (65+ years old)
    Student level:
    Beginner
    Intermediate
    Advanced
    Duration:
    60 minutes
    90 minutes
    The class is taught in:French, English

    About Me

    Translated by Google. Click to view original.
    Concerted concert pianist and laureate of international competitions, leader of singing (this is the name given to the repeters of opera singers), also a graduate of philosophy and musicology: I try to propose a global method, which does not not content with a pure keyboard technique, but opens up the student's competence and sensitivity to musical analysis, harmony, repertoire, and all the musical culture that surrounds the piano!

    Education

    Translated by Google. Click to view original.
    Musical biography:

    Pianist born in 1989, he dedicates himself today to the work with the singers and the repertoire of chamber music. Former pupil of Hervé Billaut in advanced training at the CRR Lyon, he participated, at the National Conservatory of Music and Dance of Paris, the class of Lied and Mélodie Jeff Cohen. He has performed at the Théâtre du Châtelet, at the Grand Salon des Invalides, at the Louvre Museum, at the Lille Opera, has been a guest at the Larzac Chamber Music Festivals (alongside pianist Jean-Sébastien Dureau , cellists Valérie Aimard and Marie Bitloch, violinist Sarah Kapustin), concerts "Young Talents" Festivals Romantic Nights, Rendez-vous de Rochebonne ... In duet with violinist Fiona Monbet, they won the Prix de chamber music with piano at the ISA (International Summer Academy) competition of the Vienna Conservatory (Universität für Musik und Dartellende Kunst), where they followed the masterclasses of Miguel Da Silva (quartet Ysaÿe), Jan Talich, Josef Kluson and Hatto Bayerle (Berg Quartet). They were also invited to the Villecroze Academy of Music to follow the masterclasses of pianist and conductor Ralf Gothoni.

    He is the Music Director of the Festival La Brèche, alongside pianist Susan Manoff, godmother of the festival, where we heard her with her privileged partners, the singers Elsa Dreisig and Eva Zaïcik - whose first CD produced by the Meyer Foundation, the CNSMDP, and dedicated to Mahler's Kindertotenlieder and Mussorgsky's Songs and Dances of Death, will be released this fall - or Marie Soubestre, with whom they have been engaged for two years on the recording of the Complete Hanns Eisler song on Bertolt Brecht's poems.

    A graduate in philosophy at Paris VIII University and in musicology at the CNSMDP, his interest in theater and the crossover with musical forms led him to work since 2011 with the theater ensemble Eventuel Hérisson Bleu, on their last two creations. He is also invited as a choirmaster for Emmanuelle Cordoliani's theater class at the CNSMDP, on their research residencies at the Royaumont Abbey, in recitals of melodies or opera productions, and since 2016 has been in charge of musical direction, with Fiona Monbet, from the company dedicated to the lyrical creation Mirrors Etendus. Their last production, an adaptation of Berlioz's The Damnation of Faust, will be premiered in December 2017 at the Enghien Arts Center, and presented at the Opéra de Rouen, at the National Scene of Valenciennes "Le Phénix", at the Théâtre de Atheneum ...

    Experience / Qualifications

    Translated by Google. Click to view original.
    Regional Conservatory of Lyon, piano development cycle
    Higher National Conservatory of Music and Dance of Paris, class of Lied and melody (Jeff Cohen), Musicology
    Accompanist of singing classes and theater at the CNSMDP
    Graduate concert pianist and laureate of international competitions, song leader (this is the name we give to lyric singers' rehearsals), also a graduate in philosophy and musicology: I offer a global method, which is not satisfied with '' a pure keyboard technique, but opens the pupil's competence and sensitivity to musical analysis, harmony, repertoire, and the whole musical culture surrounding the piano! *Biography : Romain is a pianist, mainly dedicated to chamber music and vocal repertoire, and works with the most prominent lyrical artists of his generation. We can find him with his privileged partners, the singers Elsa, Eva, Jean-Christophe, Adèle. He notably studied at the Lyon Conservatory with pianist Hervé Billaut and participated in Jeff Cohen's lied and melody class at the Conservatoire National Supérieur de Musique et de Danse in Paris. He is invited to perform on numerous French and foreign stages: Wigmore Hall in London, at the Victoria lied festival in Los Angeles in Barcelona, at the Maison de la Radio, at the Auditorium of the Musée d'Orsay, at the Théâtre du Châtelet, at the Lille Opera, at the Nouveau Siècle, at the Rouen Opera, etc. A graduate in philosophy and musicology, he is involved in projects crossing very diverse artistic universes. He has been working for several years with Marie Soubestre on a complete by Hanns Eisler and Bertolt Brecht, co-founded the Festival La Brèche, and is the musical director, with Fiona Monbet, of the company dedicated to lyrical creation Miroirs Étendus.

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    Availability of a typical week

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    from $50.70At teacher's location
    from $63.92At student's home

    Good-fit Instructor Guarantee


    If you are not satisfied after your first lesson, Apprentus will find you another instructor or will refund your first lesson.

    Online reputation

    • Instructor since November 2017
    • Phone number verified

    Availability of a typical week

    (GMT -04:00) New York
    MonTueWedThuFriSatSun
    0              
    1              
    2              
    3  Monday at 3:00  Tuesday at 3:00  Wednesday at 3:00  Thursday at 3:00  Friday at 3:00  Saturday at 3:00  Sunday at 3:00
    4  Monday at 4:00  Tuesday at 4:00  Wednesday at 4:00  Thursday at 4:00  Friday at 4:00  Saturday at 4:00  Sunday at 4:00
    5  Monday at 5:00  Tuesday at 5:00  Wednesday at 5:00  Thursday at 5:00  Friday at 5:00  Saturday at 5:00  Sunday at 5:00
    6  Monday at 6:00  Tuesday at 6:00  Wednesday at 6:00  Thursday at 6:00  Friday at 6:00  Saturday at 6:00  Sunday at 6:00
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    8  Monday at 8:00  Tuesday at 8:00  Wednesday at 8:00  Thursday at 8:00  Friday at 8:00  Saturday at 8:00  Sunday at 8:00
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    from $50.70At teacher's location
    from $63.92At student's home

    Good-fit Instructor Guarantee


    If you are not satisfied after your first lesson, Apprentus will find you another instructor or will refund your first lesson.

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    Apollonia Maria
    Beginner to Advanced Lessons for Guitar Players for all ages
    After dedicating 14 years to mastering the guitar, I've developed a comprehensive understanding of guitar playing, encompassing both foundational techniques and advanced music theory. In these lessons, I'll be sharing the wealth of knowledge I've accumulated over this extensive period of learning. I will be covering a broad range of guitar techniques, including fingerpicking, strumming techniques, major and minor chords, power chords, barre chords, riffs, scales, finger warm-ups, practising any song of your choice, string bending, pull-offs, hammer-ons, harmonics, strumming patterns, and slides. All are provided with diagrams etc. For music theory, I will begin by covering the fundamentals, including notes, strings, and the musical 12-note chromatic scale alphabet on the guitar. As students progress, we will delve into more advanced topics such as tones, semitones, chord progressions, circle of fifths, scale formulas and chord terminology. Additionally, we will explore concepts like consonance and dissonance and pitch practice to develop relative pitch. (You have to be born with perfect pitch but you can learn relative pitch with practise!) Then advancing to jazz theory, we'll explore; jazz scale formulas, jazz chord progressions, swing techniques, major and minor 7th chords, major and minor 9th chords, dominant, augmented, half-diminished, diminished, sus2 and sus4 chords. And then jazz scales and the art of re-harmonising a song (changing the chords to jazz chords). All music theory will be intertwined with guitar practice as both can't be done without the other! One observation I've made while learning guitar through lessons is that information is often doled out incrementally, making it feel like a breadcrumb trail. Guitar knowledge and skills seem to be closely guarded and usually gatekept unless actively sought out. I strongly believe that the extensive knowledge I've acquired over 14 years of playing should be fruitfully shared in a more comprehensive and accessible manner, of course while being tailored to the pace of the students. In essence, I'm convinced that the depth of my understanding I've gained could be effectively conveyed and learnt within a two-year timeframe without including the time it takes to master the skill with practice, of course, I'd like to make it easier for people to learn the guitar and the theory behind it. I have also graduated with a distinction for my Music Performance and Production UAL Level 3 Course and have experience teaching guitar in London and Bristol before. The lessons will be taught in English so practising your English with me is also a plus, a foundational knowledge of English is required to take the lessons.