The course focus on concepts that will make any student of any level developing their own approach to improvisation. It can be designed depending on the instrument played by student and his/her atttude. Books and materials used in the course. How to improvise by Al Crook ed Advance Music, for horn players, This book describes a nice way of approaching improvisation through specific exercises that can be tested on students of any kind of level. It divides in 4 section and requires a minimum knowledge of scales, chords and familiarity with musical vocabulary Hearing the Changes by jerry Cooker, Bob knapp, Larry Vincent, ed advance Music, for all musicians With this book the student will learn how to recognize progressions by ear thanks on a selection of jazz tunes chosen from the standard repertoire. It will be taught at the piano and it will let students of any level to deal with harmony and theory progressively but starting codifying harmonic traits that will clarify the reader's understanding of how progressions and improvisation "work".

This class is for beginner-intermediate-advanced musicians who aim to explore more about music and get better at their playing on their instrument. This doesn't refer only to professional but includes amateur and passionated students interested about how to gain more music knowledge. Music is one. there's no differences between its styles. Learning it means learning about yourself, your strengths and weaknesses and the class will be self designed for the student starting from his/her desires. moreover music will be researched eventually from its main topic such as improvisation, time feel, resonance and intonation for brass , harmonic knowledge and music theory.

Course proposal Blues Guitar, by Keith Wyatt ed. Musician Institute From the origin of Chicago to most complex jazz Blues, 15 units of progressive difficulty suitable for any guitar from basic level. Included transcription of J. Hendrix, S. R. Vaughan, A. King, E. Clapton. Funky Guitar by Ross Bolton ed. Musician Institute Thecniques in this class, divided in 10 units, are relate to traditional old “school”funk guitar playing and the groove guitar. Developing funk skills will make the student a better overall rhythm guitarist and generally it will improve the time feel. Transcription from JB's,Parliament, Funkadelic, Sly and the family stones, Fela Kuti Jazz Guitar Thecniques in this class are related to jazz repertoiore history and vocabulary. This course is suitable for intermediate/advanced guitarist who want to go deeper in the knowledge of the jazz guitar tradition. Studying materials are taken from 10years period lessons had with: R Cecchetto, F. Cerri G. Monteforte, R. Bianchi, C.de cicco. Books from S. Henderson, “Jazz guitar chord system the essential guide to jazz chord voicings and Substitutions”, ed Hal Leonard corp. and M. Goodrick”The advanced guitar player”

The jazz theory courses is divided on three different levels for musicians and teacher who wants to improve their teaching skills and get new materials ·0 Level Beginner Theory and Harmony Vol 1, vol 2 by Barrie Nettles BERKLEE COLLEGE OF MUSIC ed. USA ; This theory course is thought to be used for students who still need to focus on basic of Jazz (and musical) Theory. At the same time is also about basic harmony concept easy to be develop in parallel. ·1 Level Intermediate Jazz theory by Mark Levine Sher music Corp. edition, USA . This theory method gives a full complete way of acknowledgement on the music theory. Filled with important harmony concept it is supposed to be taught at the piano individually in order to keep continuous references between theory and sound. ·2 Level Advance Theory And Harmony Vol 3 by Barrie Nettles BERKLEE COLLEGE OF MUSIC ed. USA Theory And Harmony vol 4 by Alex Ulanowsky BERKLEE COLLEGE OF MUSIC ed. USA This two books complete the course with advanced modules about theory and harmony thought for student already used to jazz/contemporary music concepts. They develop and introduce on the way several fundamental arranging ideas.