Drums lessons in Mérignac

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1 drums teacher in Mérignac

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1 drums teacher in Mérignac

Trusted teacher: Gilles: Franco-American, born September 01, 1961 in Versailles. Qualifications: Percussionist musician specializing in Afro-Caribbean, Afro-Brazilian and Afro-Cuban music and their African sources. Instruments practiced: conga, bongo, timpani, bata, berimbau, timbaul, repinique, pandeiro, tamborim, reco-reco, chékéré, agogo, gan, Peruvian cajon, Cuban cajon, quijada, surdo, drums. Researcher: work in progress on Yoruba, Fon, Congo ... cultures, their transpositions in Latin America and their interbreeding with Western music of the last century. Experiences and training 1975: Conservatory of the 4th arrondissement of Paris with Francoise Gagneux, specialization in drums. 1976: Gruss circus school mime department. 1978: Diploma of bafa, training course with FCVF and CPCV on Visual Arts. (R.robert internship manager) 1979: Congolese percussions with Lucky ZEBILA at the American Center in Paris (crossing of African cultures). 1980: Traditional Haitian and Cuban Percussion with John AMIRA at the Naropa Center in Boulder Colorado USA. 1982 - 84: Afro-Caribbean percussions with Allan SILVA and his CCO (Celestrial Comunications Orchestra) will teach thereafter in his IACP institute in Paris. 1984: Traditional Brazilian Percussion with Bira ALMEIDA "Mestre accordion" of world renown and instigator of Capoeira in the USA as well as musical director and composer of the famous group corpo santo in Sanfransico. 1985: Cuban Percussion workshop with Jerry GONZALES (Assistant for the workshops in Paris at the rue de Clichy dance center) 1988-89: Afro-Cuban percussions with LOS MUñEQUITOS from MATANZAS in Matanzas, Cuba. Diploma of the 3rd cycle of CONJUNTO FOLKLORICO NACIONAL of Cuba, Havana. 1989-90: Cuban percussions with Roger FIXI, learning the bata drums and the Congo cycle. Experience in vocational education 1995-98: CIAM. (Center of Investigation and Musical Activities-Bordeaux) Afro-Cuban and Afro-Brazilian percussion teacher, instigator of the Latin percussion program and its Instrumentarium. 1997-2001 CFAT (Traditional Arts Training Center-Bordeaux) Afro-Cuban and Afro-Brazilian percussion teacher and Director of the polyrhythmic workshop. 2001-2004 Conservatorio Josafat Roel pineda Lima, Peru, residency on percussions from West African origins in Latin America and the Caribbean, their influences in Afro-Peruvian music of this century. 2002-2005: ENMDT (National Conservatory of Dance and Music GABRIEL FAURE - Angoulême) Teaching teacher of Afro-Caribbean percussions and Latin music in orchestra (see this year's program): Métis music project. In the following groups: - first part at the Olympia with Paul Mindi - Jazz festival in the dunois with the CCO of Allan Sylva - Development of a samba bloco for the Mardi Gras of the San Francisco Carnival invited by Bira Almeida, musician, writer, researcher and founder of WCA (World Capoeira Association). From this experience, he created the first samba "batteria" in Santa -Fé, Nuevo Mexico, USA (banda girasol.) Director of "bateria" in several samba schools in France: "Axé" in Paris, " Sarava "in Tours," Macunaima "in Bordeaux, then formed the group" Timbalada Urbana ", an ethnic-mixed group. - Percussionist musician of the group TUPI-NAGO Samba- Reggae Band. This group took its musical sources in the region of Salvador de Bahia, bastion of Afro-Brazilian culture. This group was sponsored by Etienne Roda-Gil and Rémy Kolpa-Kopoul journalist at "Liberation" specialist in Brazilian music. European tour and opening act of Brazilian artists such as Joao Bosco, Caetano Veloso, Gilberto Gil. Then the group's record production under the label Mélodie Music and caramba productions. - Percussionist musician of the ILU-YENKORI group, Bata drums and songs dedicated to the Afro-Cuban and Yoruba pantheon as well as to the countries belonging to the former kingdoms of Dahomey (Togo, Ghana, Benin.). This troupe of dancers, singers and percussionists were among the first in France to promote the cultures of this pantheon. Accompanist and trainer of the Rhythm and Family theme, in the movement of Reiki activities in Europe (Ibiza, Cologne) and Canada (Vancouver). It deals with the problematic aspect of rhythm in the context of group dynamics in the training courses for future masters in the art of Reiki by Phillys Furumoto. In 2000, joined the Lanaya group in Bordeaux. With a repertoire of Mandingo music, this group included the soloist Ousseman souma of drum and dance from the prestigious national ballet JOLIBA. Gilles is part of this group, bringing the Afro-Cuban and Afro-Brazilian repertoire from which Lanaya will evolve into Métis music. Change also marked by the integration of artists from different cultures such as, Fato Camara, Mathias Agbokou, José Hernandez, patrice banchereau: akpon. Languages: French English (2nd mother tongue) Spanish Discography: "Desert Mirage", CCO Alan Silva (Phonogram) "Dream off the Ground", Future sound ensemble (Future sound ensemble) "Small with big ears", Bill Baxter (Polydor) "Tupi nago", Tupi nago (Music Melody) Accompanies African, Brazilian and Cuban dance since 1980.
Percussion · Drums · Cajon
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Becoming a confident musician is a skill that requires discipline, dedication and hard work. However I strongly believe that whether you wish to progress your skills on an instrument to a professional level, simply get the most out of playing In a band with friends or jamming along to your favourite playlists, the art of learning an instrument is an incredibly rewarding skill. In our lessons we will focus on building a solid foundation across the basics of playing the Drum Kit. We will discover the rich and diverse history of the instrument and move through the jazz, funk, rock and pop era's of music. While I am happy to tailor all of these lessons to the student's needs, I do believe having a basic knowledge of where the instrument and it's vocabulary came from is essential and will have a positive impact on the students playing. Listening is important! We will work through a number of landmark recordings that carve the path of the Drum Kit's evolution and continue the listening process all the way to your favourite songs and how the drums affect that music and the rest of the band! I am also happy to work through ABRSM, Trinity Guildhall and/or Rockschool exam grades. Music is all about communication, and being able to fluently communicate ideas on any instrument requires time and practice. However, like with your very first English lessons in school, over time you can develop the skill of communication to a point where you can exchange many different ideas and create interesting conversations (this time between musical instruments rather than your friends in the pub!). Although I understand music is a not a career for everyone, I strongly believe that learning how to play any instrument properly with discipline and good practice will enhance your life is more ways than anyone who doesn't play music will understand.
Drums · Music theory
Trusted teacher: Hello, I offer drums lessons in a warm place or at your home. Come and discover the battery differently. My mission is to help you develop your own identity on the instrument. I offer you a fun approach that focuses on the pleasure of playing. Having followed training and courses throughout my life (conservatory, schools ...), I am passionate and dedicated to sharing all of my experience with you. I practice in many music groups and other structures (schools, associations ...). With more than 20 years of experience in drums and more than 10 years in percussion, I teach many musical genres (jazz through Latin music, pop, hip hop, rock, hard, punk, metal ..) , the double pedal, notions of music theory, rhythmic reading. Possibility of taking percussion lessons (darbuka, bongos, African djembe, congas, jaw harp, dhol). The programs are directly inspired by internationally recognized methods, thus being able to adapt to the needs, levels and requirements of each individual. I travel but I also receive in a room with equipment available (any age and level of practice are allowed, from initialization to professionals). A different approach to music lessons: My teaching is resolutely modern. Classes are a moment of musical and human sharing where error is used as a positive experience to move forward. We work by oral transmission to complete the scores. We use onomatopoeia to quickly develop musical and felt play, rather than just reading and playing. So ... Tempted? No excuse, I give you couses from Monday to Sunday from 8 am to 11 pm. FROM child (from 5 years old) to senior, and from beginner to professional. Registration possible all year round. Contact me for more info on prices and formulas ... See you soon,
Percussion · Drums · Music theory lessons
Hello I am dedicated to helping you explore the rhythmic world of drums and/or Latin percussion. With a background in music education and performance, I aim to provide structured yet engaging lessons tailored to your needs and aspirations. Teaching Approach: My teaching philosophy focuses on cultivating technical proficiency, musical expression, and a deep appreciation for rhythm. Whether you're a beginner or an experienced player, I offer personalized instruction to help you achieve your musical goals. Specialization and Uniqueness: Specializing in drums and Latin percussion, I bring a wealth of experience and expertise to our lessons. From foundational techniques to advanced rhythms, we'll explore a diverse range of musical genres and styles. Getting Started: To begin your musical journey, simply reach out to schedule your first lesson. I offer both in-person and online sessions, providing flexibility to accommodate your schedule and preferences. Instrument Requirements: If you don't have your own instruments, I can offer guidance to reach your goals with the resources in our hands. For online lessons, a reliable internet connection and a passion for percussion are all you need. Experience as a Performer: As a seasoned performer, I've graced stages worldwide, bringing real-world insight and energy to our lessons. My performance experience enriches our learning process, offering practical knowledge and inspiration. My Professional Background: I hold a Bachelor's Degree in Music with a major in Percussion Teaching and Performance Summa Cum Laude from Universidad Nacional de Costa Rica. Currently pursuing a Master's Degree in World Music Percussion at Codarts Rotterdam - University of the Arts, I am committed to continuous learning and growth as both a musician and educator. Ready to embark on a rhythmic adventure? Schedule your first lesson and let's make some music together!
Drums · Percussion
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Only reviews of students are published and they are guaranteed by Apprentus. Rated 4.7 out of 5 based on 25 reviews.

Learn drums today from a professional and passionate teacher! DRUM LESSONS Oslo (Oslo)
Bruno
At the time of this review, I have completed 4 lessons with Bruno. I can say with confidence that Bruno is an excellent and patient tutor, who has helped me get confident with the drum kit and also sustain my interest for learning drums (Before these lessons, I have never learnt music or drums earlier - so a complete newbie). He is very professional and his lessons are customised to the student. I recommend him very strongly to anyone who wishes to learn drums!
Review by SRIRAM
Beats, Rhythms, and Fun: Discover Your Passion for Drumming with Expert Instruction (Ghent)
Valentin
If I could give more than 5 stars, I would. Valentin is an excellent drummer and drum teacher and really focusses on the individuality of you as a student to ensure that you improve but most importantly enjoy.
Review by JANIÇA
Drum lessons ONLINE - Learn at home playing your own kit - Low fares
Luciano
Child enjoyed her class. Tutor was kind and knowledgeable, really easy to deal with and organised. He responded to questions and had a clear lesson plan for the class.
Review by S