Roberto
    Trusted teacher
    Trusted teacher
    The Flamenco Guitar and its touches. The touch for singing, for dancing and the concert touch. Falsetas by Paco de Lucia, Niño Ricardo, Vicente Amigo, Ramón Montoya, Rafael Riqueni, and other great names in flamenco guitar. Study of the Palos, with its variants and styles, either for dancing, or accompanying a singer. Compass and Rhythm, free touches. Different tonalities of the flamenco mode, and its relationship with tonal and modal music. (from Levante, Minas Gerais, Ré # flamenco, touch through, above, granaína)

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    • Instructor since October 2020