Sound (music) lessons in Canada
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Trusted teacher: Who is this workshop for? For all curious about sound, all music, music in general, who wants to manufacture, build, examine ... (from 12 or 13 years). Should one know the music theory? Not necessarily. But familiarity with music of various styles can be a great help. DJ? Electro music? No ! We will not learn here to be a DJ or to compose "dance-music", "electro" music in the commonly understood sense, or even songs. Should I know the computer? It's better if that's the case, but learning can be done at the same time as music research. Is it necessary to have a computer? Yes ! A "workshop" rather than a class? The course takes the form of a practical workshop, listening sessions, critical works. By computer? Everything happens on computer once recorded sound elements of all kinds. Editing, transformation, mixing on software designed for this. No software required. The proposed route can be adapted to any multitrack sequencing software. The computer is only a tool, it is the composer who makes the music. Practically what do we do? The composer works "with the sounds" that he has most often recorded himself. He chooses them, assembles them, deforms them, mixes them according to his project, according to his his intuition, his ideas and desires, gradually builds a music. For those who want it and need it, exercises are proposed which allow to approach at the same time techniques of realization and specific musical proposals. Composition / Invention It is not a question of declaring oneself all composers, but of asserting that one can all ask questions of composers, with, at the same time, seriousness and fantasy. To confront the game of a free invention. What musical orientation? What style ? This is a "musical research" approach: to seek to invent a music beyond the traditional values - heights of note, regular pulsations, instrumental timbres - without being forbidden to do all that. A "music of sounds", in the widest possible sense, a "music of all sounds "as opposed to what we might call obviously too simplified" a music of notes ". This choice, which apparently seems to shake up the musical uses, is nevertheless part of a tradition of more than a century and rich of a repertoire too little known and which had various names: - Electroacoustic Music - Concrete music - Acousmatic music - Contemporary music Finally, we each have a precious tool to never forget: our ear, and a fascinating and rewarding work to drive, questioning oneself.